Beware, The Wheel of Fortune...
Johnny, the small boy who skated at breakneck speed into an accident that for one horrifying moment plunged him into...the dead zone.
Johnny Smith, the small-town schoolteacher who spun the wheel of fortune and won a four-and-a-half-year trip into...the dead zone.
John Smith, who awakened from an interminable coma with an accursed power-'the power to see the future and the terrible fate awaiting mankind in...the dead zone.
In a jazz bar on the last night of 1937, watching a quartet because she couldn't afford to see the whole ensemble, there were certain things Katey Kontent knew: the location of every old church in Manhattan how to sneak into the cinema how to type eighty words a minute, five thousand an hour, and nine million a year and that if you can still lose yourself in the first chapter of a Dickens novel then everything is probably going to be fine. By the end of the year she'd learned: how to launch a paper airplane high over Park Avenue how to live like a redhead how to insist upon the very best that the word 'yes' can be a poison and the Rules of Civility. That's how quickly New York City comes about - like a weathervane - or the head of a cobra. Time tells which.
Out of the blue, your husband of thirty years asks you for a pause in your marriage to indulge his infatuation with a young Frenchwoman.Do you:a) assume it's a passing affair and play alongb) angrily declare the marriage overc) crack upd) retreat to a safe haven and regroup?Mia Fredricksen cracks up first, then decamps for the summer to the prairie town of her childhood, where she rages, fumes, and bemoans her sorry fate as abandoned spouse. But little by little, she is drawn into the lives of those around her; her mother and her circle of feisty widows, her young neighbour, with two small children and a loud, angry husband; and the diabolical pubescent girls in her poetry class. By the end of the summer without men, wiser though definitely not sadder, Mia knows what she wants to fight for and on whose terms.Provocative, mordant, and fiercely intelligent, The Summer Without Men is a gloriously vivacious tragi-comedy about women and girls, love and marriage, and the age-old war between the sexes - a novel for our times by one of the most acclaimed American writers.
Crime's a man's business. So they say. Who was that small figure then, slender enough to trot along the moonlit track, swift and low, virtually invisible? Who was it that covered the green signal with a glove to stop the train, while the two others took care of the driver and his mate? Could it have been one Queenie Dove, survivor of the Depression and the Blitz, not to mention any number of scrapes with the law?' Queenie Dove is a self-proclaimed genius when it comes to thieving and escape. Daring, clever and sexy, she ducked and dived through the streets of London from the East End through Soho to Mayfair, graduating from childhood shop-lifting to more glamorous crimes in the post-war decades. So was she wicked through and through, or more sinned against than sinning? Here she tells a vivacious tale of trickery and adventure, but one with more pain and heartbreak than its heroine cares to admit. Yes, luck often favoured her, but that is only part of the story.
The New York Times bestseller and one of the 100 Most Notable Books of 2005. In the tradition of This Boy's Life and The Liar's Club, a raucous, poignant, luminously written memoir about a boy striving to become a man, and his romance with a bar. J.R. Moehringer grew up captivated by a voice. It was the voice of his father, a New York City disc jockey who vanished before J.R. spoke his first word. Sitting on the stoop, pressing an ear to the radio, J.R. would strain to hear in that plummy baritone the secrets of masculinity and identity. Though J.R.'s mother was his world, his rock, he craved something more, something faintly and hauntingly audible only in The Voice. At eight years old, suddenly unable to find The Voice on the radio, J.R. turned in desperation to the bar on the corner, where he found a rousing chorus of new voices. The alphas along the bar--including J.R.'s Uncle Charlie, a Humphrey Bogart look-alike; Colt, a Yogi Bear sound-alike; and Joey D, a softhearted brawler--took J.R. to the beach, to ballgames, and ultimately into their circle. They taught J.R., tended him, and provided a kind of fathering-by-committee. Torn between the stirring example of his mother and the lurid romance of the bar, J.R. tried to forge a self somewhere in the center. But when it was time for J.R. to leave home, the bar became an increasingly seductive sanctuary, a place to return and regroup during his picaresque journeys. Time and again the bar offered shelter from failure, rejection, heartbreak--and eventually from reality. In the grand tradition of landmark memoirs, The Tender Bar is suspenseful, wrenching, and achingly funny. A classic American story of self-invention and escape, of the fierce love between a single mother and an only son, it's also a moving portrait of one boy's struggle to become a man, and an unforgettable depiction of how men remain, at heart, lost boys.
At the end of his sorry life, Teddy Everett, reluctant heir to the Everett fortune realises that he may have been at his best when he was 14, the night Kebreth made him a communist by rubbing coffee bean oil on his face. Then he was with Lucy, who gave him Chinese burns and taught him how to smoke. As he remembers his family, his wives (and their lovers) he tries to understand what happened to that boy. Fuelled by caffeine and full of vituperation, this is a riotously original debut of honour, cowardice and bravery.
In her old age, Nell Golightly receives a strange letter. A Tahitian woman, claiming to be the daughter of the poet Rupert Brooke, writes to ask her to describe him - his voice, his smell, how it felt to hold him. And to explain why all of England remembered him...Turning her mind to the summer of 1909, Nell relives her first encounter with the young poet. She was sixteen, the newhousemaid at the Orchard Tea Gardens in Grantchester, and he was the new tenant, already causing a stir with his boyish good looks and habit of swimming naked in nearby Byron's Pool.Nell soon realises that everyone he meets falls in love with him, while he remains flippant and flirtatious and, apparently, loves no one but himself.Worst of all, despite her good sense, even she seems to be falling under his spell.What is his secret? Does he prefer men? Is he, in fact, capable of love at all?With great skill and playfulness, Jill Dawson gives voice to Rupert Brooke himself in a narrative told from both his point of view and that of her spirited character, Nell. Revealing a man more surprising, complex and radical than his romanticised image suggests, her novel powerfully conveys the allure of charisma as it captures the mysterious and often perverse workings of the human heart.
Once upon a time there was a boy whose home was a van and whose world was his father. Be warned: this is not a fairytale. Although it does contain love, betrayal, escape, and most important of all, a kiss. But you have to be ready for an unpredictable journey through a realm where nothing is black or white. That, of course, is why you should take the first step. A startling new voice shows us a painful truth: You can't help who you fall in love with.
List item 2: Never speak German on the upper decks of London buses. Jack Rosenblum is five foot three and a half inches of sheer tenacity. He's writing a list so he can become a Very English Gentleman. List item 41: An Englishman buys his marmalade from Fortnum and Mason. It's 1952, and despite his best efforts, his bid to blend in is fraught with unexpected hurdles - including his wife. Sadie doesn't want to forget where they came from or the family they've lost. And she shows no interest in getting a purple rinse. List item 112: An Englishman keeps his head in a crisis, even when he's risking everything. Jack leads a reluctant Sadie deep into the English countryside in pursuit of a dream. Here, in a land of woolly pigs, bluebells and jitterbug cider, they embark on an impossible task...
In the spring of 1938 Elise Landau arrives at Tyneford, the great house on the bay. A bright young thing from Vienna forced to become a parlour-maid, she knows nothing about England, except that she won't like it. As servants polish silver and serve drinks on the lawn, Elise wears her mother's pearls beneath her uniform, and causes outrage by dancing with a boy called Kit. But war is coming and the world is changing. And Elise must change with it. At Tyneford she learns that you can be more than one person - and that you can love more than once.
This is a novel for people with breeding. Only people with the right genes and the wrong impulses will find its marriage of bold ideas and deplorable characters irresistible. It is a novel that engages the mind while satisfying those that crave the thrill of a chase. There are riots and sex. There is love and murder. There is Darwinism and Fascism, nightclubs, invented languages and the dangerous bravado of youth. And there are lots of beetles. It is clever. It is distinctive. It is entertaining. We hope you are too. www.boxerbeetle.com
Political corruption, capitalist greed and past injustices are all revealed when Inspector Chen investigates a serial killer in Shanghai.An early morning jogger found her. Clad in nothing but a red mandarin dress, she had been dumped, barely concealed, on a traffic island. The death of a dancing girl was unpleasant but this was particularly unusual in that she had been left openly in the centre of town. She had probablyangered one of the Mr Big Bucks that were taking over and transforming Shanghai.Inspector Chen is an intuitive investigator, a talented poet and an honourable man on the edge of a nervous breakdown. Desperate to find a way to release himself from the perilous police career that had been chosen for him, he takes time off to begin an MA in Literature. Then another girl is found dead . . . With a serial killer on the loose. Chen is pulled back to work and intohis most dangerous assignment yet.
It's 1972 and as the dreams of the sixties give way to anger and political unrest, the charismatic anarchist Declan O'Connell commits suicide, leaving his boyfriend Pearson and fellow squatter Nina to try to make sense of what has happened. Enter Sweet Thing, a streetwise rent boy, who has an uncanny hold over glam rock star Johnny Chrome; and in the wings lurks Detective Sergeant Walker of the newly formed Bomb Squad, who knows more about O'Connell than anyone ever suspected. The course of all their lives is about to change forever - for better and for worse. In this taut, powerful novel, Jake Arnott portrays four people searching for a sense of identity, their emotional and sexual turmoil mirrored by the turbulence of the times. Bringing that era vividly to life, he captures the mood of Britain at a turning point in history.
Paris at the dawn of the nineteenth century is ablaze with the story of a wild child, a boy captured by huntsmen who has been living wild in the woods of Southern France, a mute boy of twelve believed at first to be deaf; a ferocious boy who bites all who approach him; a boy rumoured to have lived alone since the age of five, and to have been suckled by wolves. The boy is brought to the Deaf-Mute Institute in Paris, where a young and ambitious doctor, Jean-Marc-Gaspard Itard, is appointed to be the child's tutor, staking his career on an astonishing claim: that he, Itard, will bring the child from savagery to civilization. He alone will teach the boy to speak.Based on a true story this bewitching novel explores the enigma of Victor, the wild boy of Aveyron, and the effect he has on the people closest to him. In an act of brilliant literary license Jill Dawson poses an enquiry that has a powerful resonance in contemporary debates around the mysteries of the autistic condition; weaving three stories together into a mesmerizing tale of savagery, love and obsession.
In a disused lighthouse on the Devon coast lives Peter Straker, a recluse who, in his dreams, is visited by an oddly disparate group of people from a grandmother to a teenager. But they have all been dead for 24 years -- and Straker thinks he killed them. Many years ago, newly-married Imogen Doody's husband went to work one day and never came back, leaving her angry at life and other people. Now Imogen has inherited a cottage near Straker's lighthouse, a piece of good fortune she badly needs. But the cottage is falling down, and she needs help restoring it...Guilt, emotional bruising and a Tiger Moth plane lie at the heart of this story of two misfits. Related with infectious warmth and wit, it is a testament to the essential goodness and resilience of the human spirit.
The essence of the iconic book The Art of Happiness distilled into a beautiful new format.
The Dalai Lama inspired millions around the world with his wisdom and compassion in The Art of Happiness. Now, in The Essence of Happiness, moving insights from His Holiness are gathered in an elegantly designed keepsake book that makes for a handy and accessible medium for that wisdom.
Offering sage advice on defeating day-to-day depression, anxiety, anger, jealousy, and other emotions that get in the way of true happiness, the pages of The Essence of Happiness contain transforming reflections on how to overcome suffering and obstacles to create a fulfilled, joyous life.
With its new package, ideal for taking anywhere, The Essence of Happiness is poised to become the handbook for living.
Sir Ranulph Fiennes is uniquely qualified to write a new biography of Captain Scott. This is the first biography of Scott by someone who has experienced the deprivations, the stress and the sheer physical pain that Scott lived through; he has suffered all but the final tragedy endured by the much maligned Scott. He is determined to put the record straight.
As well as being the definitive biography of Scott, written with the full and exclusive cooperation of the Scott Estate, this book traces the way that Scott's reputation has been attacked and his achievements distorted.
The main lesson Luce had learned was that you couldn't count on anybody. In the lonesome beauty of the forest, across the far shore of the mountain lake from town, Luce acts as caretaker to an empty, decaying Lodge, a relic of holidaymakers a century before. Her days are long and peaceful, her nights filled with Nashville radio and yellow lights shimmering on the black water. A solitary life, and the perfect escape. Until the stranger children come. Bringing fire. And murder. And love.
From the internationally bestselling author of What I Loved and The Summer Without Men, a dazzling collection of essays written with Siri Hustvedt's customary intelligence, wit and ability to convey complex ideas in a clear and lively way. Divided into three sections - Living, which draws on Siri's own life; Thinking, on memory, emotion and the imagination; and Looking, on art and artists - the essays range across the humanities and science as Siri explores how we see, remember, feel and interact with others, what it means to sleep, dream and speak, and what we mean by 'self'. The combination offers a profound and fascinating insight into ourselves as thinking, feeling beings.
Usually, this is where we'd tell you what this book is about. But with Chris Cleave, it's a bit different. Because if you've read THE OTHER HAND or INCENDIARY, you'll know that what his books are about is only part of the story - what really matters is how they make you feel. GOLD is about the limits of human endurance, both physical and emotional. It will make you cry. GOLD is about what drives us to succeed - and what we choose to sacrifice for success. It will make you feel glad to be alive. GOLD is about the struggles we all face every day; the conflict between winning on others' terms, and triumphing on your own. It will make you count your blessings. GOLD is a story told as only Chris Cleave could tell it. And once you begin, it will be a heart-pounding race to the finish.
HISTORY HAPPENED WHILE YOU WERE HUNGOVER.
When you haven't had sex in a long time, it feels like the worst thing that could ever happen to anyone.
If you're living in Germany in the 1930s, it probably isn't.
But that's no consolation to Egon Loeser, whose carnal misfortunes will push him from the experimental theatres of Berlin to the absinthe bars of Paris to the physics laboratories of Los Angeles, trying all the while to solve two mysteries: whether it was really a deal with Satan that claimed the life of his hero, the great Renaissance stage designer Adriano Lavicini; and why a handsome, clever, charming, modest guy like him can't, just once in a while, get himself laid.
From the author of the acclaimed Boxer, Beetle comes a historical novel that doesn't know what year it is; a noir novel that turns all the lights on; a romance novel that arrives drunk to dinner; a science fiction novel that can't remember what 'isotope' means; a stunningly inventive, exceptionally funny, dangerously unsteady and (largely) coherent novel about sex, violence, space, time, and how the best way to deal with history is to ignore it.
LET'S HOPE THE PARTY WAS WORTH IT
Four months into the siege of Leningrad, the city is starving. Seventeen-year-old Lev fears for his life when he is arrested for looting the body of a dead German paratrooper, while his charismatic cellmate, Kolya, a handsome young soldier arrested for desertion, seems bizarrely unafraid.Dawn brings, instead of an execution squad, an impossible challenge. Lev and Kolya can find a dozen eggs for an NKVD colonel to use for his daughter's wedding cake, and live. Or fail, and die.In the depths of the coldest winter in history, through a city cut off from all supplies and suffering appalling deprivation, man and boy embark on an absurd hunt. Their search will take them through desolate, lawles Leningrad and the devastated countryside surrounding it, in the captivating journey of two men trying to survive against desperate odds.