How do I get my music played on the radio? Do I really need my own website - can't I just use MySpace? How do I copyright and license my songs? The DIY Music Manual has the answers to these questions ... and more.Over the last couple of years, the face of independent music has changed completely. With the rise of websites such as MySpace and iTunes, digital radio stations, podcasts, band websites and online music stores, it has made music much easier to make, promote and distribute outside traditional channels. Whereas before it was a case of sending your band's demo tape to a record label and hoping for the best, now it's possible to cut out the middle man and make a success of your band without being signed. Clearly, concisely and with a dash of wit, The DIY Music Manual tells you exactly how to do that.
Jim Morrison's electrifying live performances, and appetite for sexual and psychedelic experience enflamed the spirit of a generation. In Jim Morrison, critically acclaimed journalist Stephen Davis brings together insights gleaned from dozens of original interviews, long-lost recordings, and Morrison's own unpublished journals to create a vivid portrait of a misunderstood genius. Each page brims with new details on every phase of Morrison's life, from his troubled youth in a strict military household, to his coming of age in the avant-garde scene of 1960s LA, his epic alcohol and drug binges, and sexual affairs.In a gripping final chapter, Davis synthesizes new evidence recently uncovered in Paris to resolve at last many of the mysteries surrounding Morrison's death, and reconstructs the final days and hours of America's greatest rock star. Compelling and harrowing, intimate and revelatory, Jim Morrison is the definitive biography of the rock god who defined the 1960s.
You probably know Simon Napier-Bell as the manager of the Yardbirds. Or you may know him as the man who managed Marc Bolan, or Japan. You should definitely know him as the man who managed Wham! And if none of these rings a bell, maybe you'll remember him as the man who co-wrote 'You Don't Have To Say You Love Me' for Dusty Springfield. You Don't Have To Say You Love Me is one of the funniest books you will read and equally provoking. From his revelation that the entire music industry was motivated by sex, to an embarrassing come-on from a suicidal Brian Epstein, it's all shocking stuff. But when you're on the run from the German police with Marc Bolan, brothel-hopping with Keith Moon and generally living the life of Riley at the music industry's expense, it would be a shame not to share those amazing experiences with the rest of the world, wouldn't it? Of all the great pop-music books written, it is worth savouring You Don't Have To Say You Love Me for its brilliant sideways insight into one of the most exciting cultural periods Britain has ever seen.