Teeming with life and crackling with energy - a love song to modern Britain and black womanhood 'Astonishing. How she can speak through twelve different people and give them each such distinct and vibrant voices? I loved it. So much' Candice Carty-Williams, author of Queenie 'Didn't think I could love a Bernardine Evaristo novel more than The Emperor's Babe but with Girl, Woman, Other she might just have outdone herself' Diana Evans, author of Ordinary People 'Bernardine Evaristo can take any story from any time and turn it into something vibrating with life' Ali Smith, author of How to be both 'Witty, exhilarating and wise... Once again, Bernardine Evaristo reminds us she is one of Britain's best writers' Nikesh Shukla 'Exceptional. Ambitious, flowing and all-encompassing, an offbeat narrative that'll leave your mind in an invigorated whirl... You have to order it right now' Stylist 'At turns funny and sad, tender and true, this book deserves to win awards' Red Girl, Woman, Other follows the lives and struggles of twelve very different characters. Mostly women, black and British, they tell the stories of their families, friends and lovers, across the country and through the years. Joyfully polyphonic and vibrantly contemporary, this is a gloriously new kind of history, a novel of our times: celebratory, ever-dynamic and utterly irresistible.
The wait is over And so I step up, into the darkness within; or else the light.
When the van door slammed on Offred's future at the end of The Handmaid's Tale, readers had no way of telling what lay ahead for her - freedom, prison or death.
With The Testaments, the wait is over.
Margaret Atwood's sequel picks up the story 15 years after Offred stepped into the unknown, with the explosive testaments of three female narrators from Gilead.
'Dear Readers: Everything you've ever asked me about Gilead and its inner workings is the inspiration for this book. Well, almost everything! The other inspiration is the world we've been living in.' Margaret Atwood
When the van door slammed on Offreds future at the end of «The Handmaids Tale», readers had no way of telling what lay ahead. In this electrifying sequel, Margaret Atwood picks up the story fifteen years after Offred stepped into the unknown, with the explosive testaments of three female narrators from Gilead.
WINNER OF THE MAN BOOKER PRIZE 2018 'Milkman is extraordinary. I've been reading passages aloud for the pleasure of hearing it. It's frightening, hilarious, wily and joyous all at the same time.' - Lisa McInerney, author of The Glorious Heresies In this unnamed city, to be interesting is dangerous. Middle sister, our protagonist, is busy attempting to keep her mother from discovering her maybe-boyfriend and to keep everyone in the dark about her encounter with Milkman. But when first brother-in-law sniffs out her struggle, and rumours start to swell, middle sister becomes 'interesting'. The last thing she ever wanted to be. To be interesting is to be noticed and to be noticed is dangerous. Milkman is a tale of gossip and hearsay, silence and deliberate deafness. It is the story of inaction with enormous consequences.
***SHORTLISTED FOR THE BOOKER PRIZE 2019*** In a tour-de-force that is both an homage to an immortal work of literature and a modern masterpiece about the quest for love and family, Booker Prize-winning, internationally bestselling author Salman Rushdie has created a dazzling Don Quixote for the modern age.
Inspired by the Cervantes classic, Sam DuChamp, mediocre writer of spy thrillers, creates Quichotte, a courtly, addled salesman obsessed with television, who falls in impossible love with the TV star Salman R. Together with his (imaginary) son Sancho, Quichotte sets off on a picaresque quest across America to prove worthy of her hand, gallantly braving the tragicomic perils of an age where 'Anything-Can-Happen'. Meanwhile his creator, in a midlife crisis, has equally urgent challenges of his own.
Just as Cervantes wrote Don Quixote to satirise the culture of his time, Rushdie takes the reader on a wild ride through a country on the verge of moral and spiritual collapse, with the kind of storytelling magic that is the hallmark of his work. The fully realised lives of DuChamp and Quichotte intertwine in a profoundly human quest for love and a wickedly entertaining portrait of an age in which fact is so often indiscernible from fiction.
From 'one of the most gifted writers working today' (New York Times) comes an audacious new novel about the bodies we live in and the bodies we desire In Brexit Britain, a young transgender doctor called Ry is falling in love - against their better judgement - with Victor Stein, a celebrated professor leading the public debate around AI.
Meanwhile, Ron Lord, just divorced and living with Mum again, is set to make his fortune launching a new generation of sex dolls for lonely men everywhere.
Across the Atlantic, in Phoenix, Arizona, a cryonics facility houses dozens of bodies of men and women who are medically and legally dead... but waiting to return to life.
But the scene is set in 1816, when nineteen-year-old Mary Shelley writes a story about creating a non-biological life-form. 'Beware, for I am fearless and therefore powerful.' What will happen when homo sapiens is no longer the smartest being on the planet? Jeanette Winterson shows us how much closer we are to that future than we realise. Funny and furious, bold and clear-sighted, Frankissstein is a love story about life itself.
'The best piece of fiction I've read in years' Independent on Sunday The final curtain is closing on the Second World War and in an abandoned Italian village. Hana, a nurse, tends to her sole remaining patient. Rescued from a burning plane, the anonymous Englishman is damaged beyond recognition and haunted by painful memories. The only clue Hana has to unlocking his past is the one thing he clung on to through the fire - a copy of The Histories by Herodotus, covered with hand-written notes detailing a tragic love affair.
Electrifying and audacious, an unmissable new novel about old and new Europe, old and new love, from the twice-Man Booker-shortlisted author of Hot Milk and Swimming Home In 1989 Saul Adler ( a narcissistic, young historian) is hit by a car on the Abbey Road. He is apparently fine; he gets up and goes to see his art student girlfriend, Jennifer Moreau . They have sex then break up, but not before she has photographed Saul crossing the same Abbey Road. Saul leaves to study in communist East Berlin, two months before the Wall comes down. There he will encounter - significantly - both his assigned translator and his translator's sister, who swears she has seen a jaguar prowling the city. He will fall in love and brood upon his difficult, authoritarian father. And he will befriend a hippy, Rainer, who may or may not be a Stasi agent, but will certainly return to haunt him in middle age. In 2016, Saul Adler is hit by a car on the Abbey Road. He is rushed to hospital, where he spends the following days slipping in and out of consciousness, and in and out of memories of the past. A number of people gather at his bedside. One of them is Jennifer Moreau. But someone important is missing. Slipping slyly between time zones and leaving a spiralling trail, Deborah Levy's electrifying new novel examines what we see and what we fail to see, until we encounter the spectres of history - both the world's and our own.
It is 1981. Glasgow is dying and good families must grift to survive. Agnes Bain has always expected more from life. She dreams of greater things: a house with its own front door and a life bought and paid for outright (like her perfect, but false, teeth). But Agnes is abandoned by her philandering husband, and soon she and her three children find themselves trapped in a decimated mining town. As she descends deeper into drink, the children try their best to save her, yet one by one they must abandon her to save themselves. It is her son Shuggie who holds out hope the longest.Shuggie is different. Fastidious and fussy, he shares his mother's sense of snobbish propriety. The miners' children pick on him and adults condemn him as no' right. But Shuggie believes that if he tries his hardest, he can be normal like the other boys and help his mother escape this hopeless place.br>Douglas Stuart's Shuggie Bain lays bare the ruthlessness of poverty, the limits of love, and the hollowness of pride. A counterpart to the privileged Thatcher-era London of Alan Hollinghurst's The Line of Beauty, it also recalls the work of Edouard Louis, Frank McCourt, and Hanya Yanagihara, it is a blistering debut by a brilliant novelist with a powerful and important story to tell.
Not far from London, there is a village. This village belongs to the people who live in it and to those who lived in it hundreds of years ago. It belongs to England's mysterious past and its confounding present. It belongs to Mad Pete, the grizzled artist. To ancient Peggy, gossiping at her gate. To families dead for generations, and to those who have only recently moved here. But it also belongs to Dead Papa Toothwort who has woken from his slumber in the woods. Dead Papa Toothwort, who is listening to them all. Chimerical, audacious, strange and wonderful - a song to difference and imagination, to friendship, youth and love, Lanny is the globally anticipated new novel from Max Porter.
This masterpiece of a novel, narrated in a single sentence, is an international literary sensation. Longlisted for the 2017 Man Booker prize, BGE Irish Book of the Year 2016 and winner of the 2016 Goldsmiths Prize
Julian Treslove, a professionally unspectacular and disappointed BBC worker, and Sam Finkler, a popular Jewish philosopher, writer and television personality, are old school friends. Despite a prickly relationship and very different lives, they've never quite lost touch with each other - or with their former teacher, Libor Sevick.
Teeming with life and crackling with energy - a love song to modern Britain and black womanhood 'Bernardine Evaristo is one of those writers who should be read by everyone, everywhere. Her tales marry down-to-earth characters with engrossing story lines about identity, and the UK of today' Elif Shafak 'Evaristo's books are always exciting, always subversive, a reminder of the boundless possibilities of literature and the great worth in reaching for them. Her body of work is incredible' Diana Evans 'Witty, exhilarating and wise... Once again, Bernardine Evaristo reminds us she is one of Britain's best writers, an iconic and unique voice, filled with warmth, subtly and humanity. Exceptional' Nikesh Shukla Girl, Woman, Other follows the lives and struggles of twelve very different characters. Mostly women, black and British, they tell the stories of their families, friends and lovers, across the country and through the years. Joyfully polyphonic and vibrantly contemporary, this is a gloriously new kind of history, a novel of our times: celebratory, ever-dynamic and utterly irresistible. 'If you don't yet know her work, you should - she says things about modern Britain that no one else does' Maggie Gee, Guardian
Shortlisted for the Booker Prize 2020 Longlisted for the (US) National Book Award for Fiction 2020 ''We were bowled over by this first novel, which creates an amazingly intimate, compassionate, gripping portrait of addiction, courage and love.'' The judges of the Booker Prize ''Douglas Stuart has written a first novel of rare and lasting beauty.'' Observer It is 1981. Glasgow is dying and good families must grift to survive. Agnes Bain has always expected more from life. She dreams of greater things: a house with its own front door and a life bought and paid for outright (like her perfect, but false, teeth). But Agnes is abandoned by her philandering husband, and soon she and her three children find themselves trapped in a decimated mining town. As she descends deeper into drink, the children try their best to save her, yet one by one they must abandon her to save themselves. It is her son Shuggie who holds out hope the longest. Shuggie is different. Fastidious and fussy, he shares his mother''s sense of snobbish propriety. The miners'' children pick on him and adults condemn him as no'' right . But Shuggie believes that if he tries his hardest, he can be normal like the other boys and help his mother escape this hopeless place. Douglas Stuart''s Shuggie Bain lays bare the ruthlessness of poverty, the limits of love, and the hollowness of pride. A counterpart to the privileged Thatcher-era London of Alan Hollinghurst''s The Line of Beauty , it also recalls the work of edouard Louis, Frank McCourt, and Hanya Yanagihara, a blistering debut by a brilliant writer with a powerful and important story to tell.
LONGLISTED FOR THE 2019 BOOKER PRIZE The novel truly becomes novel again in Luisellis hands--electric, elastic, alluring, new. --Parul Sehgal, The New York Times "Impossibly smart, full of beauty, heart and insight . . . Everyone should read this book." --Tommy Orange Named a "Best Book of 2019 So Far" by Entertainment Weekly , Vanity Fair, Vulture , and TIME From the two-time NBCC Finalist, an emotionally resonant, fiercely imaginative new novel about a family whose road trip across America collides with an immigration crisis at the southwestern border--an indelible journey told with breathtaking imagery, spare lyricism, and profound humanity . A mother and father set out with their two children, a boy and a girl, driving from New York to Arizona in the heat of summer. Their destination: Apacheria, the place the Apaches once called home. Why Apaches? asks the ten-year-old son. Because they were the last of something, answers his father. In their car, they play games and sing along to music. But on the radio, there is news about an "immigration crisis": thousands of kids trying to cross the southwestern border into the United States, but getting detained--or lost in the desert along the way. As the family drives--through Virginia to Tennessee, across Oklahoma and Texas--we sense they are on the brink of a crisis of their own. A fissure is growing between the parents, one the children can almost feel beneath their feet. They are led, inexorably, to a grand, harrowing adventure--both in the desert landscape and within the chambers of their own imaginations. Told through several compelling voices, blending texts, sounds, and images, Lost Children Archive is an astonishing feat of literary virtuosity. It is a richly engaging story of how we document our experiences, and how we remember the things that matter to us the most. With urgency and empathy, it takes us deep into the lives of one remarkable family as it probes the nature of justice and equality today.
Tony Webster and his clique first met Adrian Finn at school. Sex-hungry and book-hungry, they would navigate the girl-less sixth form together, trading in affectations, in-jokes, rumour and wit. Maybe Adrian was a little more serious than the others, certainly more intelligent, but they all swore to stay friends for life.
In her youth, Tara was wild. She abandoned her arranged marriage to join an ashram, took a hapless artist for a lover, rebelled against every social expectation of a good Indian woman - all with her young child in tow. Years on, she is an old woman with a fading memory, mixing up her maid''s wages and leaving the gas on all night, and her grown-up daughter is faced with the task of caring for a mother who never seemed to care for her.This is a poisoned love story. But not between lovers - between mother and daughter. Sharp as a blade and laced with caustic wit, Burnt Sugar gradually untangles the knot of memory and myth that bind two women together, revealing the truth that lies beneath.>
Winner of the Man Booker Prize 2009'Lock Cromwell in a deep dungeon in the morning,' says Thomas More, 'and when you come back that night he'll be sitting on a plush cushion eating larks' tongues, and all the gaolers will owe him money.'England, the 1520s. Henry VIII is on the throne, but has no heir. Cardinal Wolsey is his chief advisor, charged with securing the divorce the pope refuses to grant. Into this atmosphere of distrust and need comes Thomas Cromwell, first as Wolsey's clerk, and later his successor.Cromwell is a wholly original man: the son of a brutal blacksmith, a political genius, a briber, a charmer, a bully, a man with a delicate and deadly expertise in manipulating people and events. Ruthless in pursuit of his own interests, he is as ambitious in his wider politics as he is for himself. His reforming agenda is carried out in the grip of a self-interested parliament and a king who fluctuates between romantic passions and murderous rages.From one of our finest living writers, Wolf Hall is that very rare thing: a truly great English novel, one that explores the intersection of individual psychology and wider politics. With a vast array of characters, and richly overflowing with incident, it peels back history to show us Tudor England as a half-made society, moulding itself with great passion and suffering and courage.
Julian Barnes, recipient of the 2011 Man Booker Prize, is one of our most highly regarded novelists. In this collection of three novels spanning his career, we see the broad range of his imagination and literary skill.
Barness third published novel, brought him worldwide acclaim and was shortlisted for the Booker Prize. A high literary entertainment (The New York Times) Flauberts Parrott is, among other things, a piercing glimpse at the nature of obsession and betrayal, both scholarly and romantic. Barness second shortlisted novel, England, England, is a sly, a satiric invention, in which a visionary tycoon attempts to replicate a jolly old England that probably never really existed: Robin Hoods men are genuinely merry and the royals all behave themselves impeccably, until, of course, everything begins to go horribly wrong. Finally, Arthur & George re-creates late-Victorian Britain, in which the fates of two vastly different men become entwined, one seeking vindication in a world that looks askance at his origins, the other creating the worlds most famous detective, while keeping his own secrets.
A noir narrative written with the intensity and power of poetry, The Long Take is one of the most remarkable - and unclassifiable - books of recent years. Walker is a D-Day veteran with post-traumatic stress disorder; he can't return home to rural Nova Scotia, and looks instead to the city for freedom, anonymity and repair. As he moves from New York to Los Angeles and San Francisco we witness a crucial period of fracture in American history, one that also allowed film noir to flourish. The Dream had gone sour but - as those dark, classic movies made clear - the country needed outsiders to study and dramatise its new anxieties. While Walker tries to piece his life together, America is beginning to come apart: deeply paranoid, doubting its own certainties, riven by social and racial division, spiralling corruption and the collapse of the inner cities. The Long Take is about a good man, brutalised by war, haunted by violence and apparently doomed to return to it - yet resolved to find kindness again, in the world and in himself.Watching beauty and disintegration through the lens of the film camera and the eye of the poet, Robin Robertson's The Long Take is a work of thrilling originality.