A provocative and timely call for a moral approach to economics, drawing on philosophers, political theorists, writers, and economists from Aristotle to Marx to Keynes.
What constitutes the good life? What is the true value of money? Why do we work such long hours merely to acquire greater wealth? These are some of the questions that many asked themselves when the financial system crashed in 2008. This book tackles such questions head-on.
The authors begin with the great economist John Maynard Keynes. In 1930 Keynes predicted that, within a century, per capita income would steadily rise, people’s basic needs would be met, and no one would have to work more than fifteen hours a week. Clearly, he was wrong: though income has increased as he envisioned, our wants have seemingly gone unsatisfied, and we continue to work long hours.
The Skidelskys explain why Keynes was mistaken. Then, arguing from the premise that economics is a moral science, they trace the concept of the good life from Aristotle to the present and show how our lives over the last half century have strayed from that ideal. Finally, they issue a call to think anew about what really matters in our lives and how to attain it.
How Much Is Enough? is that rarity, a work of deep intelligence and ethical commitment accessible to all readers. It will be lauded, debated, cited, and criticized. It will not be ignored.
Alex has spent the majority of his adult life between two very different women--and he can’t make up his mind. Sonia, his wife and business partner, is everything a man would want. Intelligent, gorgeous, charming, and ambitious, she worked tirelessly alongside him to open their architecture firm and to build a life of luxury. But when the seven-year itch sets in, their exhaustion at working long hours coupled with their failed attempts at starting a family get the best of them. Alex soon finds himself kindling an affair with his college lover, Ivona. The young Polish woman who worked in a Catholic mission is the polar opposite of Sonia: dull, passive, taciturn, and plain. Despite having little in common with Ivona, Alex is inexplicably drawn to her while despising himself for it. Torn between his highbrow marriage and his lowbrow affair, Alex is stuck within a spiraling threesome. But when Ivona becomes pregnant, life takes an unexpected turn, and Alex is puzzled more than ever by the mysteries of his heart.Peter Stamm, one of Switzerland’s most acclaimed writers, is at his best exploring the complexities of human relationships. Seven Years is a distinct, sobering, and bold novel about the impositions of happiness in the quest for love.
A new novel of artful understatement about mortality, estrangement, and the absurdity of life from the acclaimed author of Unformed Landscape and In Strange Gardens
On a day like any other, Andreas changes his life. When a routine doctor’s visit leads to an unexpected prognosis, a great yearning takes hold of him--but who can tell if it is homesickness or wanderlust? Andreas leaves everything behind, sells his Paris apartment; cuts off all social ties; quits his teaching job; and waves goodbye to his days spent idly sitting in cafes--to look for a woman he once loved, half a lifetime ago. The monotony of days has been keeping him in check; now he hopes for a miracle and for a new beginning.
Andreas’ travels lead him back to the province of his youth, back to his hometown in Switzerland where he returns to familiar streets, where his brother still lives in their childhood home, and where Fabienne, a woman he was obsessed with in his youth, visits the same lake they once swam in together. Andreas, still consumed with longing for his lost love and blinded by the uncertainty of his future, is tormented by the question of what might have been if things had happened differently.
Peter Stamm has been praised as a “stylistic ascetic” and his prose as “distinguished by lapidary expression, telegraphic terseness, and finely tuned sensitivity” (Bookforum). In On a Day Like This, Stamm’s unobtrusive observational style allows us to journey with our antihero through his crises of banality, of living in his empty world, and the realization that life is finite--that one must live it, as long as that is possible.
Praise for Unformed Landscape:
“Sensitive and unnerving. . . . An uncommonly intimate work, one that will remind the reader of his or her own lived experience with a greater intensity than many of the books that are published right here at home.” --The New Republic Online
“If Albert Camus had lived in an age when people in remote Norwegian fishing villages had e-mail, he might have written a novel like this.”--The New Yorker
“Unformed Landscape has a refreshing purity, a lack of delusion, a lack of hype.”--Los Angeles Times
From the Hardcover edition.
A poignant and inspirational love story set in Burma, The Art of Hearing Heartbeats spans the decades between the 1950s and the present. When a successful New York lawyer suddenly disappears without a trace, neither his wife nor his daughter Julia has any idea where he might be…until they find a love letter he wrote many years ago, to a Burmese woman they have never heard of. Intent on solving the mystery and coming to terms with her father’s past, Julia decides to travel to the village where the woman lived. There she uncovers a tale of unimaginable hardship, resilience, and passion that will reaffirm the reader’s belief in the power of love to move mountains.
Following the publication of the widely acclaimed novel Seven Years comes a trove of stories from the Swiss master Peter Stamm. They all possess the traits that have built Stamm’s reputation: the directness of the prose, the deceptive surface simplicity of the narratives, and deep psychological insight into the existential dilemmas of contemporary life. Stamm does not waste a word, nor does he spare the reader’s feelings. These stories are a superb introduction to his work and a gift for all those who have come to regard his fiction as a precise rendering of the contemporary human psyche.
Kafka was an attractive, slender, and elegant man--something of a dandy, who captivated his friends and knew how to charm women. He seemed to have had four important love affairs: Felice, Julie, Milena, and Dora. All of them lived far away, in Berlin or Vienna, and perhaps that's one of the reasons that he loved them: he chose long-distance relationships so he could have the pleasure of writing to them, without the burden of having to live with them. He was engaged to all four women, and four times he avoided marriage. At the end of each love affair, he threw himself into his writing and produced some of his most famous novels: Amerika, The Trial, and The Castle.
In this charming book, author Jacqueline Raoul-Duval follows the paper trail of Kafka's ardor. She uses his voice in her own writing, and a third of the book is pulled from Kafka's journals. It is the perfect introduction to this giant of world literature, and captures his life and romances in a style worthy of his own.
Written in 1928 by French biographer and novelist Andre Maurois, Climates became a best seller in France and all over Europe. The first 100,000 copies printed of its Russian translation sold out the day they appeared in Moscow bookstores. This magnificently written novel about a double conjugal failure is imbued with subtle yet profound psychological insights of a caliber that arguably rivals Tolstoy's. Here Phillipe Marcenat, an erudite yet conventional industrialist from central France, falls madly in love with and marries the beautiful but unreliable Odile despite his family's disapproval. Soon, Phillipe's possessiveness and jealousy drive her away. Brokenhearted, Phillipe then marries the devoted and sincere Isabelle and promptly inflicts on his new wife the very same woes he endured at the hands of Odile. But Isabelle's integrity and determination to save her marriage adds yet another dimension to this extraordinary work on the dynamics and vicissitudes of love.
The Perfect American is a fictionalized biography of Walt Disney's final months, as narrated by Wilhelm Dantine, an Austrian cartoonist who worked for Disney in the 40s and 50s, illustrating sequences for Sleeping Beauty. It is also the story of Dantine himself, who desperately seeks Disney's recognition at the risk of his own ruin.
Peter Stephan Jungk has infused a new energy into the genre of fictionalized biography. Dantine, imbued with a sense of European superiority, first refuses to submit to Disney's rule, but is nevertheless fascinated by the childlike omnipotence of a man who identifies with Mickey Mouse. We discover Walt's delusions of immortality via cryogenic preservation, his tirades alongside his Abraham Lincoln talking robot, his invitation of Nikita Khruschev to Disneyland once he learns that the Soviet Premier wants to visit the park, his utopian visions of his EPCOT project, and his backyard labyrinth of toy trains. Yet, if at first Walt seems to have a magic wand granting him all his wishes, we soon discover that he is as tortured as the man who tells his story.
After Disney refuses to acknowledge Dantine's self-professed talent and hard work, he fires the frustrated cartoonist for writing, along with other staff members, an anonymous polemical memorandum regarding Disney's jingoistic politics. Years later, in the late 60s, still deeply wounded by his dismissal, Dantine follows Disney's trail to capture what makes Walt tick. Dantine wants us to grasp what it is like to live and breathe around the man who thought of himself as more famous than Santa Claus. Walt's wife Lillian, his confidante and perhaps his mistress Hazel, his brother Roy, his children Diane and Sharon, his close and ill-treated collaborators, and famous figures such as Peter Ustinov, Salvador Dali, Andy Warhol, and Geraldine Chaplin, all contribute to the novel's animation, its feel for the life of the Disney world.
This deeply researched work not only provides interesting interpretations of what made Walt Disney a central figure in American popular culture, but also explores the complex expectations of gifted European immigrants who came to the United States after World War II with preconceived notions of how to achieve the American dream.
Winner of the 2007 Gradiva Award
An innovative work of biography that traces the lasting impact of the friendship between Sigmund Freud and pioneering American psychologist James Jackson Putnam.
In 1909 Sigmund Freud made his only visit to America, which included a trip to "Putnam Camp”–the eminent American psychologist James Jackson Putnam's family retreat in the Adirondacks. "Of all the things that I have experienced in America, this is by far the most amazing," Freud wrote of Putnam Camp. Putnam, a Boston Unitarian, and Freud, a Viennese Jew, came from opposite worlds, cherished polarized ambitions, and promoted seemingly irreconcilable visions of human nature–and yet they struck up an unusually fruitful collaboration. Putnam's unimpeachable reputation played a crucial role in legitimizing the psychoanalytic movement. By the time of Putnam's death in 1918, psychoanalysis had been launched in America, where–in large part thanks to the influence of Putnam, and in a development Freud had not anticipated–it went on to become a practice that moved beyond the vicissitudes of desire to cultivate the growth and spiritual aspirations of the individual as a whole.
Putnam Camp reveals details of Putnam's and Freud's personal lives that have never been fully explored before, including the crucial role Putnam's muse, Susan Blow–founder of America's first kindergarten, pioneering educator and philosopher in the American Hegelian movement–played in the intense debate between these two great thinkers. As the great-grandson of Putnam, author George Prochnik had access to a wealth of personal firsthand material from the Putnam family–as well as from the James and Emerson families–all of which contribute to a new and intimate vision of the texture of daily life at a moment when America was undergoing a cultural and intellectual renaissance.
In twelve nonfiction tales, Hanna Krall reveals how the lives of World War II survivors are shaped in surprising ways by the twists and turns of historical events. A paralytic Jewish woman starts walking after her husband is suffocated by fellow Jews afraid that his coughing would reveal their hiding place to the Germans. A young American man refuses to let go of the ghost of his half brother who died in the Warsaw ghetto. He never knew the boy, yet he learns Polish to communicate with his dybbuk. A high ranking German officer conceives of a plan to kill Hitler after witnessing a mass execution of Jews in Eastern Poland.
Through Krall's adroit and journalistic style, her reader is thrown into a world where love, hatred, compassion, and indifference appear in places where we least expect them, illuminating the implacable logic of the surreal.
"It is precisely the difficult path [Krall] takes toward her topic that has made some of these texts masterpieces."
-- Frankfurter Allgemeine Zeitung (on Dancing at Other People's Weddings)
"Heartbreaking, strange . . . and marvelously told."
-- Die Zeit (on Proofs of Existence)
Long considered cool, distant, and absolutely reliable, an American-born hit man, working throughout Europe, grows increasingly distracted and begins to develop an unexpected passion for architecture and art while engaged in his deadly profession. Although he welcomes this energizing break from his routine, he comes to realize that it is an unwise trajectory for a man in his business, particularly when he is sent on the most difficult job of his career.
Set in London, Paris, New York, and Barcelona, Calling Mr. King is at once a colorful suspense tale, laced with dark humor, and a psychological self-portrait of a character who is attempting, against the odds, to become someone else.
Carla Del Ponte won international recognition as Switzerland's attorney general when she pursued cases against the Sicilian mafia. In 1999, she answered the United Nations' call to become the chief prosecutor of the International Criminal Tribunal for the former Yugoslavia and for Rwanda. In her new role, Del Ponte confronted genocide and crimes against humanity head-on, struggling to bring to justice the highest-ranking individuals responsible for massive acts of violence in Rwanda, Bosnia and Herzegovina, Croatia, and Kosovo.
These tribunals have been unprecedented. They operate along the edge of the divide between national sovereignty and international responsibility, in the gray zone between the judicial and the political, a largely unexplored realm for prosecutors and judges. It is a realm whose native inhabitants–political leaders and diplomats, soldiers and spies–assume that they can commit the big crime without being held culpable. It is a realm crisscrossed by what Del Ponte calls the muro di gomma –"the wall of rubber"– a metaphor referring to the tactics government officials use to hide their unwillingness to confront the culture of impunity that has allowed persons responsible for acts of unspeakable, wholesale violence to escape accountability. Madame Prosecutor is Del Ponte's courageous and startling memoir of her eight years spent striving to serve justice.
Argentina’s coup d’état in 1976 led to one of the bloodiest dictatorships in its history--thirty thousand people were abducted, tortured, and subsequently “disappeared.” And hundreds of babies born to pregnant political prisoners were stolen from their doomed mothers and “given” to families with military ties or who were collaborators of the regime. Analía was one of these children, raised without suspecting that she was adopted. At twenty seven, she learned that her name wasn’t what she believed it to be, that her parents weren’t her real parents, and that the farce conceived by the dictatorship had managed to survive through more than two decades of democracy.In My Name is Victoria, it is no longer Analía, but Victoria who tells us her story, in her own words: the life of a young and thriving middleclass woman from the outskirts of Buenos Aires with strong political convictions. Growing up, she thought she was the black sheep of the family with ideas diametrically opposed to her parents’. It wasn’t until she discovered the truth about her origins and the shocking revelation of her uncle’s involvement in her parents’ murder and in her kidnapping and adoption that she was able to fully embrace her legacy. Today, as the youngest member of congress in Argentina, she has reclaimed her identity and her real name: Victoria Donda. This is Victoria’s story, from the moment her parents were abducted to the day she was elected to parliament.
In The Art Prophets, Richard Polsky introduces us to influential late twentieth-century dealers and tastemakers in the art world. These risk takers opened doors for artists, identified new movements, and resurrected art forms that had fallen into obscurity. In this distinctive tour, Polsky offers an insightful and engaging dialog between artists and the visionaries who paved their way.
Table of contents
Ivan Karp and Pop Art
Stan Lee and Comic Book Art
Chet Helms, Bill Graham, and the Art of the Poster
John Ollman and Outsider Art
Joshua Baer and Native American Art
Virginia Dwan and Earthworks
Tod Volpe and Ceramics
Jeffrey Fraenkel and Photography
Louis Meisel and Photorealism
Tony Shafrazi and Street Art
The unnamed narrator of this slim, alluring novel recalls a summer spent at age sixteen on an idyllic Italian island off the coast of Naples in the 1950s, where he spends his days with Nicola, a local fisherman. The narrator falls in love with Caia, who shares with him that she’s Jewish, saved by Italian soldiers from the Nazis, who killed the rest of her Yugoslav family. The boy demands answers about the war from the adults around him, but is rebuffed by everyone but Nicola, who tells him of Italy’s complicity with the Nazis. His passion for Caia and his ardent patriotism lead him to a flamboyant, cataclysmic act of destruction that brings his tale to an end.
Just after World War II, a young orphan living in Naples comes under the protection of Don Gaetano, the superintendent of an apartment building. He is a generous man and is very attached to the boy, telling him about the war and the liberation of the city by the Neapolitans. He teaches him to play cards, shows him how to do odd jobs for the tenants, and even initiates him into the world of sex by sending him one evening to a widow who lives in the building. But Don Gaetano possesses another gift as well: he knows how to read people’s thoughts and guesses correctly that his young friend is haunted by the image of a girl he noticed by chance behind a window during a soccer match. Years later, when the girl returns, the orphan will need Don Gaetano’s help more than ever.
A novel about obsession that makes for obsessive reading.
All Owen Patterson wants is an normal life, a happy marriage, and a stable family. But following the brutal and random murder of his brother-in-law, that dream is shattered. A year later, his wife is still in mourning and his in-laws won't talk about anything but their dead son.
The murderer, Henry Joseph Raven, has been put in prison, but as far as Owen is concerned, prison isn’t punishment enough. He embarks on a quest to "balance the scales of justice," writing letters to Henry Raven under the pseudonym Lily Hazelton. His plan: to seduce the murderer, make him fall in love with his fictional correspondent, and then break his heart. From one letter to the next, Lily Hazelton develops into a curious amalgam of details from Owen’s imagination, snatches of his difficult childhood, and memories of his cousin Eileen, a suicide who was his first true love. Not entirely in control of his own creation, Owen dives headfirst into the correspondence, only to find himself caught in the trap he’s set for Henry Raven.
Bringing together an epistolary game of cat and mouse with the harrowing record of one man’s psychological collapse, The Interloper is a compelling and original debut from a bold new writer.
"As assured and sumptuously written as any first novel I’ve encountered--Antoine Wilson’s prose sings, and the story he tells here is both clever and compelling. This is writing at its very best." -- T. Coraghessan Boyle
As founder of the Peace Corps, Head Start, the Special Olympics (with wife Eunice Kennedy Shriver), and other organizations, Sargent Shriver was a key social and political figure whose influence continues to the present day. This authorized biography, exhaustively researched and finely rendered by Scott Stossel (deputy editor of The Atlantic), reads like an epic novel, with “Sarge” marching through the historical events of the last century--the Great Depression, World War II, JFK’s assassination, the Cold War, and many more. Sarge gives us a complete account of Shriver’s life, as well as a thoughtful commentary on the Kennedy family, the Peace Corps, and United States and world history. It is a riveting and comprehensive reconstruction of a life that exemplifies what it means to be a true American.
In the early 1980s, Brian O'Dea was operating a $100 million a year, 120-man drug smuggling business, and had developed a terrifying cocaine addiction. Under increasing threat from the DEA in 1986 for importing seventy-five tons of marijuana into the United States, he quit the trade-and the drugs-and began working with recovering addicts in Santa Barbara. Despite his life change, the authorities caught up with him years later and O'Dea was arrested, tried, and sentenced to ten years at Terminal Island Federal Penitentiary in Los Angeles Harbor. A born storyteller, O'Dea candidly recounts his incredible experiences from the streets of Bogotá with a false-bottomed suitcase lined with cocaine, to the engine compartment of an old DC-6 whose engines were failing over the Caribbean, to the cell blocks overcrowded with small-time dealers who had fallen victim to the justice system's perverse bureaucracy of drug sentencing. Weaving together extracts from his prison diary with the vivid recounting of his outlaw years and the dawning recognition of those things in his life that were worth living for, High tells the remarkable story of a remarkable man in the late-1980s drug business and why he walked away.
From the Trade Paperback edition.
One day in early spring, Dorrit Weger is checked into the Second Reserve Bank Unit for biological material. She is promised a nicely furnished apartment inside the Unit, where she will make new friends, enjoy the state of the art recreation facilities, and live the few remaining days of her life in comfort with people who are just like her. Here, women over the age of fifty and men over sixty-single, childless, and without jobs in progressive industries-are sequestered for their final few years; they are considered outsiders. In the Unit they are expected to contribute themselves for drug and psychological testing, and ultimately donate their organs, little by little, until the final donation. Despite the ruthless nature of this practice, the ethos of this near-future society and the Unit is to take care of others, and Dorrit finds herself living under very pleasant conditions: well-housed, well-fed, and well-attended. She is resigned to her fate and discovers her days there to be rather consoling and peaceful. But when she meets a man inside the Unit and falls in love, the extraordinary becomes a reality and life suddenly turns unbearable. Dorrit is faced with compliance or escape, and...well, then what?
THE UNIT is a gripping exploration of a society in the throes of an experiment, in which the "dispensable" ones are convinced under gentle coercion of the importance of sacrificing for the "necessary" ones. Ninni Holmqvist has created a debut novel of humor, sorrow, and rage about love, the close bonds of friendship, and about a cynical, utilitarian way of thinking disguised as care.
From the Trade Paperback edition.
In this novel, Greek tragedy meets a dysfunctional family from Maryland, revealing how time and place matter little when it comes to the implacable logic of the darkest human emotions.
A family matriarch--half Medea, half Clytemnestra--calls home her three children, who take turns narrating the story. Quinn, the wonder boy who has become a successful actor in London, must fly in from England, putting a new love interest and a career-boosting role in a BBC production of the Oresteia on hold. Maury, whose life is defined by his Asperger's and a terrible crime committed when he was a teenager, rides in on a bus from his quiet, impoverished life out west. Candy, the eldest at fifty-five and the only one still a devout Catholic, is already in Maryland, where she takes care of her mother and dreams of retiring to North Carolina with her boyfriend. Once the family is reassembled in the childhood home, the pieces of a dark puzzle come together over brilliant and witty exchanges. Mewshaw invites us into the heart of a family dynamic, exploding prejudices about love, religion, and murder.
From the Trade Paperback edition.
Recipient of the Independent Publishers Award for Historical Fiction (Gold Medal), the Foreword Book of the Year Award for Historical Fiction (Bronze Medal), and an honorable mention in the category of General Fiction for the Eric Hoffer Award.
Luis de Santángel, chancellor to the court and longtime friend of the lusty King Ferdinand, has had enough of the Spanish Inquisition. As the power of Inquisitor General Tomás de Torquemada grows, so does the brutality of the Spanish church and the suspicion and paranoia it inspires. When a dear friend’s demise brings the violence close to home, Santángel is enraged and takes retribution into his own hands. But he is from a family of conversos, and his Jewish heritage makes him an easy target. As Santángel witnesses the horrific persecution of his loved ones, he begins slowly to reconnect with the Jewish faith his family left behind. Feeding his curiosity about his past is his growing love for Judith Migdal, a clever and beautiful Jewish woman navigating the mounting tensions in Granada. While he struggles to decide what his reputation is worth and what he can sacrifice, one man offers him a chance he thought he’d lost…the chance to hope for a better world. Christopher Columbus has plans to discover a route to paradise, and only Luis de Santángel can help him.
Within the dramatic story lies a subtle, insightful examination of the crisis of faith at the heart of the Spanish Inquisition. Irresolvable conflict rages within the conversos in By Fire, By Water, torn between the religion they left behind and the conversion meant to ensure their safety. In this story of love, God, faith, and torture, fifteenth-century Spain comes to dazzling, engrossing life.
The unconscious sprang to the attention of the West a hundred years ago, and we are still struggling to absorb its full impact. It was one thing to understand the concept, to see it and believe it, but another to live with it, to take in fully its challenge to our deepest cultural assumptions. Today, as we expand our understanding of its reach, we are still coming to grips with what it means. This “new unconscious” is driven by the identities we assume, the groups we belong to, the ideas we inherit, the languages we use–all the elements that provide meaning and structure to our world.
What You Don’t Know You Know is about this emergent understanding, and how it forces us to rethink our relationships with each other as well as our beliefs about what it means to be a person, to have a self. It is for all those who want a better understanding of the complexity of human motivation, whether as an executive faced with employees resisting change, an elected official trying to forge agreements among competing interests, a consultant brought in to restructure an ailing corporation, or individuals struggling to understand their relationships and why they do the things they do. All too often, our actions do not conform to our explicit intentions or to common sense. We are more constricted than we think, but sometimes
we are also smarter.
From the Hardcover edition.